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Monday Night 1.27.03 -- Banned Film Series -- "Cocksucker
Blues" by Robert Frank
Contents:
1. About this Monday
2. About "Cocksucker Blues" + Robert Frank
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1. About this Monday
When: 7:00 (Screening will begin 7:30)
What: Video Screening + Discussion
What: "Cocksucker Blues" by Robert Frank
Continuing an ongoing series of banned films, this Monday
we will be screening "Cocksucker Blues," a much praised, little
seen film made by Robert Frank during the Rolling Stones 1972 US tour.
Frank's stark portrayal of the Stones' debaucheries has lost little of
the brutal impact that caused it to be withdrawn from circulation by the
Stones soon after its completion. Lecherous, star-studded, washed-out,
alienated and unsettlingly disengaged, "Cocksucker Blues" remains
perhaps the best document of 'life on the road' to date.
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2. About "Cocksucker Blues" + Robert Frank
1. Internet Movie Database entry for "Cocksucker Blues"
2. The "Cocksucker" lyrics
3. Excerpt from Robert Frank interview with BorderCrossings magazine
4. Some random plugs
5. Long entry on "CS Blues"
6. Links about Robert Frank
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1. Internet Movie Database entry for "Cocksucker Blues":
http://us.imdb.com/Title?0068389
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2. The "Cocksucker" lyrics:
From Keno's ROLLING STONES Web Site
(Click below to listen)
http://www.keno.org/stones_lyrics/Cocksuckerblues.htm
COCKSUCKER BLUES
This song was given to London/Decca Records in 1970 by the
Stones for their final single that they owed the label. London/Decca refused
to release it. It was released in 1983 in West Germany on the album The
Rest of the Best as a bonus single, but then dropped from the album after
just 4 weeks of it's release. Features only Mick and Keith, but there
is a bootleg of the song out there with the entire band playing on it,
recorded sometime around the mid 70s.
Vocal: Mick Jagger Acoustic Guitar: Keith Richards
Cocksucker Blues
(aka Schoolboy Blues)
(Jagger/Richards)
Well, I'm a lonesome schoolboy
And I just came into town
Yeah, I'm a lonesome schoolboy
And I just came into town
Well, I heard so much about London
I decided to check it out
Well, I wait in Leicester Square
With a come-hither look in my eye
Yeah, I'm leaning on Nelsons Column
But all I do is talk to the lions
Oh where can I get my cock sucked?
Where can I get my ass fucked?
I may have no money,
But I know where to put it every time
Well, I asked a young policeman
If he'd only lock me up for the night
Well, I've had pigs in the farmyard,
Some of them, some of them, they're alright
Well, he fucked me with his truncheon
And his helmet was way too tight
Oh where can I get my cock sucked?
Where can I get my ass fucked?
I ain't got no money,
But I know where to put it every time
I'm a lonesome schoolboy in your town
I'm a lonesome schoolboy
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3. Excerpt from Robert Frank interview with BorderCrossings magazine,
1997:
BC: I've got a question about Cocksucker Blues. Those scenes on the plane
are pretty wild and it occurs to me that some of them were orchestrated.
Were they set up or were you just present as a documentarian?
RF: They really didn't want me to make the film. They enjoyed having us
around but not to film. I was with my friend Danny and he had good connections
for dope, much better than they had. And at one point I said to him nothing
ever happens on these plane trips. It would be nice to have something
happen.
BC: So you were a director then, not just a shadow?
RF: That was one of the few things I said in all the time we spent on
the plane. When the film came out the Stones agreed not to cut anything,
although I had to cut some things with the officials from the record company.
That's what adds up; your experiences. Making a film is an experience
really; more so than going around photographing. Making a film is a real
trip.
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4. Some random plugs:
"Because of a bizarre court order, Robert Frank's legendary Rolling
Stones documentary is the most underground of all underground films: it
literally can't be shown unless the director is present at the screening,
and even then with much legal difficulty. This makes such screenings more
precious than a layman's chance to see the insides of a Mormon church.
No wonder the single showing of the film was a complete sellout at this
year's San Francisco Film Festival. Incredibly, Cocksucker Blues lives
up to all of the hype and anticipation. It may be the best movie ever
made about rock and roll. The film offers an unflinching look at the side
of rockstardom that was touched only glancingly in movies like "Don't
Look Back"and "The Last Waltz." Many of the antics of the
badboy Stones are not as shocking to us today as they may have been when
the film was first made, but what's ultimately so special about this documentary
is that it hasn't dated a day. Robert Frank has a knack for exposing the
cheap and degrading dullness and the desparate boredom of the day-to-day
touring life for all involved." - Film Threat Weekly
"According to Ginsberg in From New York to Nova Scotia, immediately
after a private screening of Cocksucker Blues, Mick turned to Frank and
told him, "It's a fucking good film, Robert, but if it shows in America
we'll never be allowed in the country again." Jagger, I suspect,
wasn't so much afraid of the film's lurid and potentially incriminating
images -- the heroin use, Jagger masturbating, or even the extended sequence
of questionably consensual group sex with a reluctant groupie at 30,000
feet (after all, this was rock and roll) -- what Mick probably found most
disturbing was the bleak and accurate portrait of the obvious despair
and loneliness of life on the road. Frank's obsession with pursuing truth
destroyed the illusion of glamour for the world's most famous rock and
roll band.
The Stones took Frank to court to prevent the film's distribution. It
became, legally, a question of who owned the film, the artist who created
it or the patron who paid for it. A split decision of sorts was finally
worked out. The film, the judge decreed, could only be screened if Robert
Frank himself was present in the audience. By then, the filmmaker was
living a reclusive life in Nova Scotia. The film was effectively banned."
- SFBG Film
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5. Long entry on CS Blues:
http://www.culturecourt.com/Ajo/media/CBlues.htm
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5. Links about Robert Frank
"RF: The Early Years"
http://photography.about.com/library/weekly/aa070300a.htm
"Route 66 Project"
http://www.yale.edu/amstud/r66/map.html
"Robert Frank + The Beats"
http://www.tamperefilmfestival.fi/2001/eng/beat.shtml
IMDB entry for Frank:
http://us.imdb.com/Name?Frank,+Robert+(I)
Quiz on RF:
http://www.library.arizona.edu/branches/ccp/education/guides/reframe/frank.html
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16 Beaver Group
16 Beaver Street, 5th fl.
New York, NY 10004
phone: 212.480.2093
for directions/subscriptions/info visit:
http://www.16beavergroup.org
TRAINS:
4,5 Bowling Green
N,R Whitehall
1,2 Wall Street
J,M Broad Street
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16 Beaver Group
16 Beaver Street
Fifth Floor
New York, NY 10004
212.480.2093
Trains:
4,5 Bowling Green
N,R Whitehall
2,3 Wall Street
J,M Broad Street
1,9 South Ferry
A,C Broadway
Directions:
16Beaver is located
in the Financial Dist.
east of Bowling Green
& Battery Park and
the National Museum
for the American Indian
16Beaver is east of
Bowling Green Park.
Between Whitehall &
Broad St . On the corner
Beaver & New Street
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